Wednesday, October 30, 2019
Challenges of factoring economic inequality into work-family programs Essay
Challenges of factoring economic inequality into work-family programs and policies - Essay Example They rely on government cash assistance, which is inadequate for providing even a minimal standard of living to these poor families. Therefore the biggest challenge for these families is that they must choose between health care and food, or between other necessary expenditures. Furthermore, many of these low-income families that are eligible for government cash or other assistance either do not know they are eligible, or find that the application process is very lengthy in receiving assistance (Mooney, Knox & Schacht, 2014). These challenges of excluding lower-income families from government policies and programs lead to certain implications. Around 67 percent of employed parents claim that they do not have enough time to spend time with their children, at the same time 63 percent of married workers complain that they cannot spend enough time with their partners (Bernstein & Kornbluh, 2015). Over half of all employees also claim that they do not even have enough time for themselves (Bernstein & Kornbluh, 2015). Such a tough routine of long working hours engenders feelings of stress and guilt that endangers the quality of family life, even as incomes rise (Bernstein & Kornbluh, 2015). Mothers reported that they spend an average of 5.5 hours a day caring their children in 1998, which is almost the same amount of time as mothers did in 1965 (Bernstein & Kornbluh, 2015). They accomplished this time with their children largely by cutting back on activities including sleep time, household work, leisure activities, and personal interest activities. In fact, it can be said that mothers who are a part of paid labour force forgo sleep equivalent to one night every week as opposed to mothers who are not a part of paid labor force (Bernstein & Kornbluh, 2015). Bernstein, J., & Kornbluh, K. (2005). Running Faster To Stay In Place: The Growth of Family Work Hours and Income (pp. 1-13). Washington DC: New American Foundation. Retrieved from
Monday, October 28, 2019
Math Anxiety and Math Self-Efficacy Essay Example for Free
Math Anxiety and Math Self-Efficacy Essay Objective: This is a descriptive-correlational study which investigated the relationship between math anxieties, math self-efficacies and math achievements of maritime college sophomores in Iloilo, Philippines. Method: This research was conducted at the three campuses of St. Therese- MTC Colleges, namely: Tigbauan, La Fiesta, and Magdalo Sites during the first semester of academic year 2004-2005. The participants of the study consisted of 316 maritime sophomores who were chosen using proportional random sampling. The data for this study were gathered using standardized questionnaires. For mathematics achievement, the mean of their grades in mathematics subjects taken in their first year were used. Basic descriptive statistics, one-way analysis of variance, t-test for independent samples, and Pearson-Product Moment correlation test were used to analyze data. Result: The study found out that the majority of the maritime sophomores belonged to the â€Å"terminal†case of math anxiety or was on the verge of becoming impatient, yet the majority had a high math self-efficacy level. Their math achievements, on the other hand, were generally poor. They differed significantly on their math achievement when grouped according to math anxiety and math self-efficacy. Finally, negative but significant relationship existed between math anxiety and math self-efficacy and math anxiety and math achievement while math self-efficacy and math achievement were positively and significantly related. In other words, those with low math anxiety had high math self-efficacy and consequently they performed better in math than those with high math anxiety and low math self-efficacy. Discussion: Results indicated that the higher math anxiety is the lower is math self-efficacy and math achievement. In the same manner, lower math anxiety results to high math self-efficacy which in turn results to high math achievement. This is consistent with studies done by previous researchers like Richardson and Suinn, (1972), and Suinn, et al, (1972) to name a few. Although three decades and cultural differences separated the studies, still similar results have been observed. This only implies that when it comes to factors related to math performance, time and culture have no bearing on the results. Conclusion: Generally, maritime college sophomores’ math achievements were poor. However, when they were grouped according to math anxiety and math self-efficacy, it showed that those with high self-efficacy had higher math achievement than those with low self-efficacy. Moreover, those with high math anxiety had lower math achievement compared to those with low math anxiety. The study suggests that math educators must look into building students’ confidence in mathematics to overcome their anxiety and thus, improve their overall performance in math.
Saturday, October 26, 2019
Revenge in Hamlet and The Revengers Tragedy Essay -- Elizabethan Reve
   In this study of revenge and revengers in two Elizabethan revenge tragedies the two plays I shall look at are Hamlet, by William Shakespeare, and The Revenger's Tragedy, by Thomas Middleton. I shall look first at the playwrights' handling of the characters of the revengers, and then at the treatment of the revengers by other characters in the plays. Although having similarities in their underlying themes, and in their adherence to conventions, these two plays present contrasting pictures of the figure of the revenger; Hamlet offering a far more complex treatment of its main character, and The Revenger's Tragedy appearing, in comparison, limited by the author's social message, and lacking in realistic characterisation. Hamlet and Vindice, the two revengers, have in common their tasks as revengers, but they have very different methods of dealing with situations, modes of thought, and instinctual behaviour. Middleton's Vindice is largely an allegorical character; his name and the names of other characters in The Revenger's Tragedy (e.g. Spurio, Ambitioso) are derived from Medieval morality plays; names which suggest the quality of near-farcical exaggeration which is a feature of The Revenger's Tragedy from the opening scene's remarkable similarity to a procession of the Seven Deadly Sins, to Vindice's simplistic association of lust with Judas and the Devil. Hamlet, in contrast, is an individual with depth, who suffers from insecurity, and a sense of absurdity. As we see him at the beginning of the play he is suffering from melancholy, not only from the death of his father, but also from "the moral shock of the sudden ghostly disclosure of his mother's true nature" (Bradley). Hamlet is psychologically real, and in my view... ...tentions in the face of a whimsical providence. Works Cited Bradley, A. C., John Russell. Brown, and A. C. Bradley. A.C. Bradley on Shakespeare's Tragedies: A Concise Edition and Reassessment. Basingstoke: Palgrave Macmillan, 2007. Print. Garber, Marjorie B. Profiling Shakespeare. New York: Routledge, 2008. Print. Nietzsche, Friedrich Wilhelm, and Ian Johnston. On the Use and Abuse of History for Life. Arlington, VA: Richer Resources Publications, 2010. Print. Erlich, Avi. Hamlet's Absent Father. Princeton, NJ: Princeton UP, 1977. Print. Middleton, Thomas. â€Å"The Revenger’s Tragedy.†1607. Five Revenge Tragedies. Ed. Emma Smith. London: Penguin Classics, 2012. Print. Shakespeare, William. Hamlet. New York: Bedford Books of St. Martin's Press, 1994. Wilson, J. Dover "What Happens in Hamlet" New York: Cambridge University Press, 1959 Revenge in Hamlet and The Revenger's Tragedy Essay -- Elizabethan Reve    In this study of revenge and revengers in two Elizabethan revenge tragedies the two plays I shall look at are Hamlet, by William Shakespeare, and The Revenger's Tragedy, by Thomas Middleton. I shall look first at the playwrights' handling of the characters of the revengers, and then at the treatment of the revengers by other characters in the plays. Although having similarities in their underlying themes, and in their adherence to conventions, these two plays present contrasting pictures of the figure of the revenger; Hamlet offering a far more complex treatment of its main character, and The Revenger's Tragedy appearing, in comparison, limited by the author's social message, and lacking in realistic characterisation. Hamlet and Vindice, the two revengers, have in common their tasks as revengers, but they have very different methods of dealing with situations, modes of thought, and instinctual behaviour. Middleton's Vindice is largely an allegorical character; his name and the names of other characters in The Revenger's Tragedy (e.g. Spurio, Ambitioso) are derived from Medieval morality plays; names which suggest the quality of near-farcical exaggeration which is a feature of The Revenger's Tragedy from the opening scene's remarkable similarity to a procession of the Seven Deadly Sins, to Vindice's simplistic association of lust with Judas and the Devil. Hamlet, in contrast, is an individual with depth, who suffers from insecurity, and a sense of absurdity. As we see him at the beginning of the play he is suffering from melancholy, not only from the death of his father, but also from "the moral shock of the sudden ghostly disclosure of his mother's true nature" (Bradley). Hamlet is psychologically real, and in my view... ...tentions in the face of a whimsical providence. Works Cited Bradley, A. C., John Russell. Brown, and A. C. Bradley. A.C. Bradley on Shakespeare's Tragedies: A Concise Edition and Reassessment. Basingstoke: Palgrave Macmillan, 2007. Print. Garber, Marjorie B. Profiling Shakespeare. New York: Routledge, 2008. Print. Nietzsche, Friedrich Wilhelm, and Ian Johnston. On the Use and Abuse of History for Life. Arlington, VA: Richer Resources Publications, 2010. Print. Erlich, Avi. Hamlet's Absent Father. Princeton, NJ: Princeton UP, 1977. Print. Middleton, Thomas. â€Å"The Revenger’s Tragedy.†1607. Five Revenge Tragedies. Ed. Emma Smith. London: Penguin Classics, 2012. Print. Shakespeare, William. Hamlet. New York: Bedford Books of St. Martin's Press, 1994. Wilson, J. Dover "What Happens in Hamlet" New York: Cambridge University Press, 1959
Thursday, October 24, 2019
Philippines Economic Growth Essay
The Philippines has a representative democracy modeled on United State’s system of government. Its republic type of government has also a presidential system of government with bicameral legislature and an independent judiciary wherein the president is limited to six years of terms. Whenever there are troubles experienced within the government of the Philippines, leaders tends to seek help and often times united States always offers help and assistance to the Philippines. Although historically speaking, they were once the conquerors of the Philippines. Both government are being attcked by terrorist which opposes the kind of leaders and leadership in the country.            Philippines is considered as one newly industrialized country located in South east Asia. It is also the fastest growing economy in Southeast Asia posting a GDP growth rate of 7.5% in 2007’s second quarter. (Hookway, 2007.p.A1). As compared to the United States the GDP of the Philippines is really far from US’ GDP rate of 88% over the past decades and until the present. United States is really a great country and is considered to be where the world’s largest gross domestic product rate is.            GDP per capita of the Philippines is estimated to be $5,700 in 2007 which is far behind the GDP per capita of the United States which is estimated $44,000 for this year.( US treasury Dept. 2007)            Unemployment rates in the Philippines is 7.9% while US is just half of it at 4.4%. This reflects how hardworking the Americans as compare to Filipinos who merely wants a simple life and simple way of living. Inflation rates in the Philippines is 2.3% which makes the economy more hopeful in the present statistics. The national government debt as a percentage of GDP rates in the Philippines is as high as $316.65 billion or 69.9% of GDP while United States only has $19billion or 0.16% of GDP. (wikipedia)            The level of technological development in the Philippines is not also as greater than in the United states. The Philippines is attracted to Japan made products and China influenced imitation of much lower quality technologies as compared to hight technological quality provided in the United States. This is one great disappointment regarding consumer decision making bf Filipinos who tends to buy more goods and commodities at a cheaper price but not of high quality. They tend to overlook the specifications of a certain of product because of high costs.            The level of infrastructural development in the Philippines is not really that far, because the country is taking its phase in cities where rises of buildings and commercial establishments are rampant. There are certain issues concerning how this infrastructures will be built because tax in the Philippines is really high thats why investors sometimes thinks twice of getting involved in dealing businesses in the country.            The high cost of materials, manpower and cost of permit is sometimes unfair on the part of investor. It becomes a gamble investing on a place where you will think twice if it will really profit once its already made and set up there. While infrastructural developments in the United States can be considerably good because in cities like New York where it is known to as the city that never sleeps, one business establishment will really profit because people keeps on going and going all day and night long.            Socioeconomic indicators that greatly affects the statistics of a certain country such as education, access to health care, clean water, etc. is also considered as one great factor in a progressive nation. For a country like Philippines, educational system can be considered competitive enough because it produces competent and skilled professionals nowadays. As far as United States education is concern because of course reality speaks that American Student are really ahead in terms of quality of education. Going back to History, American are also known as Thomasites which brought up high standards of education in the Philippines. Brain Drain is one common problem in the Philippines, after years of studying where Filipinos receive of high quality education, they goes out of the country and work for a higher salary. The tendency is the economy of such country raises and the downfall of professional statistics in the Philippines is experienced. They prefer to use the knowledge they’ve learned from their own country as a stepping stone to more opportunities abroad. Health Problems and medical assistance is also a factor in a country’s economic growth for Filipinos who lives in a country with more illness there is a bigger tendency not to perform well in school for students who are still studying and for employees who works hard int heir professions. The more persuasive you are working, the more tendency of being sick is. The sad part is that there are some instances that medical assistance is far at hand like in cases that we still need to ask help from other countries like the United States which is more medically advanced and this also results a deduction in our statistics because we need to pay for those medicines and medical experts from foreign countries. Abusing the environment is also one reason why people tends to suffer economically. Improper use of natural resources and pollution is one great threat on the Philippines Economic growth.            At present, there are many Foreign investors who wants to take risk and be involved in having business with the Philippines and this also provides greater opportunity on the countries statistics because it paves way for a more chance of paying debts and increase employment rates to Filipinos.            Talking about change, we really don’t need to compete with any other countries, we can content our economic needs by providing what it needs and at the same time going about business in supporting services and exports that have brought in much needed foreign exchange and help raising our economic status at its best. Great rates and percentage economically comes from people who strives hard and decides best in doing businesses and witty decision making. References                         Hookway, James. (2007). Wall Street Journal p. A1                         United States Department of Treasury 2007                        www.wikipedia.org
Wednesday, October 23, 2019
Modernism, Postmodernism
The youth culture of the 1960s represents the threshold between modernism and what, in most circles, passes for postmodernism. On the one hand, it is clearly an extension and reinvention of the historical avant-garde, and, on the other, it signals the increasing obsolescence of the (modernist) divide between elite and mass culture, between the artisanal and the mechanically reproduced.Reacting against the universalizing tendencies of high modernism (from abstract expressionism to the international style), and its dedication to seriousness, abstraction, and elegance, the new artists delighted in extending the range of art, in juxtaposing the exalted and the abject, the sacred and the profane, in being vernacular and relevant, and in rudely transgressing bourgeois norms.From the point of view of post-modern theory, the recent history of popular music can be seen to be marked by a trend towards the open and extensive mixing of styles and genres of music in very direct and self-conscious ways. Put very simply, the argument about the transition between modernism and postmodernism in pop music can be seen as the Beatles in the 1960s. The songs of the Beatles drew explicitly on diverse classical and popular forms and made a claim to what was for pop a new kind of musical and lyrical seriousness.Postmodernism first emerges out of a generational refusal of the categorical certainties of high modernism. The insistence on an absolute distinction between high and popular culture came to be regarded as the ‘unhip' assumption of an older generation. One sign of this collapse can be seen in the merging of art and pop music. For example, Peter Blake designed the cover of the Beatles' Sergeant Pepper's Lonely Hearts Club Band.Jameson (1991) distinguishes between modernist and post-modern pop music, making the argument that the Beatles and the Rolling Stones represent a modernist moment, against which punk rock and new wave can be seen as post-modern. In ‘Popular Mus ic and Postmodern Theory', Andrew Goodwin (1991) quite correctly argues that for various reasons this is a very difficult position to sustain. The Beatles and the Rolling Stones are as different from each other as together they are different from, say, the Clash and Talking Heads. In fact, ‘it would be much easier to make an argument in which the distinction is made between the â€Å"artifice†of the Beatles and Talking Heads and the â€Å"authenticity†of the Rolling Stones and the Clash' (55).Perhaps the best way to think of the relationship between pop music and postmodernism is historically. In most accounts, the moment of postmodernism begins in the late 1950s-the same period as the emergence of pop music. Therefore, in terms of periodization, pop music and postmodernism are more or less simultaneous. This does not necessarily mean that all pop music is post-modern. Using Raymond Williams's model of social formations always consisting of a hierarchy of cultu res-‘dominant', 'emergent' and ‘residual'-post-modern pop music can be seen as 'emergent' in the 1960s with the late Beatles, and the rock music of the counter-culture, as principal examples, and in the 1970s with ‘art school' punk, to become in the late 1980s the ‘cultural dominant' of pop music.It is also possible to see the consumption of pop music and the surrounding pop music culture as in itself post-modern. Instead of an approach concerned with identifying and analysing the post-modern text or practice, we might look instead for postmodernism in the emergence of particular patterns of consumption; people who actively seek out and celebrate pastiche. The notion of a particular group of consumers, people who consume with irony and take pleasure in the weird, is very suggestive.Flirtations with Eastern mysticism in the 1960s brought new influences; the success of the Beatles, and George Harrison’s fascination with the Indian sitar, increased exposu re to Indian music and to Ravi Shankar, probably the first distinct ‘world musician’, unquestionably promoting musical sounds and structures quite different from those in the West. Prior to the successes of Miriam Makeba, Ravi Shankar and Manu Dibango, the first African musician to have an international hit, and whose music helped usher in the disco era (Mitchell 1996), musicians with exceptional local and regional popularity were otherwise largely unknown in the West, because their music was unfamiliar and inaccessible, and the words incomprehensible (hence Western recording companies took little interest).The Beatles’ quest for mysticism, enlightenment and innovative sounds (which could be incorporated in Western musical structures, rather than being given a life of their own) was the forerunner of other Western performers’ similar searches for authenticity and difference. Paul Simon’s Graceland (1986) recorded English lyrics over tracks performed by black South African bands and the vocal group Ladysmith Black Mambazo.As many critics noted, rock may have been the most popular and influential art form during the late '60s, â€Å"the deepest means of communication and expression†that negotiated the incompatibility of the post-modern with the preindustrial by attempting to unite â€Å"a mass culture†with â€Å"a genuine folk culture.†In the mid-Sixties, electricity, poetry, sex, and rhythm mixed with another combustible element, drugs, to create psychedelia. Baby boomer parents worshipped doctors and high medicine and avidly ingested antidepressants and other medications to achieve altered states of mental and physical health.Likewise, baby boomers' drug experimentation aimed for transport to a new personal and world consciousness that would eliminate human barriers class, race, ideologyâ€â€dividing their parents' world. By 1965, a suite of drugs coursed through the rock community. Dylan and marijuana influenced the Beatles' Rubber Soul (1965), a folk rock record of soft edges and personal introspection. Attracting a male following, The Who, the Mod heroes, thrashed through early singles such as â€Å"Anyway, Anyhow, Anywhere†and â€Å"My Generation†with amphetamine-fed punk fury.Acid rock borrowed sounds, scales, chords, and rhythms from around the world to distort space and time. The Beatles adapted Indian ragas and modal jazz to dislodge the rhythmic anchor and erase the four cardinal directions. In England, the Beatles were introduced to acid in 1965; they recorded Revolver a year later. Their variable tape speeds, tape loops, backward guitar and voice lines, and other experiments transformed basic rock and roll chords, beats, and voices into a tableau of acid-soaked sound, rhythm, and poetry. Especially disorienting was â€Å"Tomorrow Never Knows,†an early trance-rock number. Ringo Starr's bass drum figure, a human heartbeat, kicked time in reverse, while John Lennon's filtered vocals, chants inspired by the Tibetan Book of the Dead, seemed piped in from creation.In a key contribution, ‘Postmodernism, or the Cultural Logic of Late Capitalism', Jameson overviews postmodernism as the cultural expression of a new phase of capitalism, characterized by communications technologies facilitating the virtually instantaneous shifting of international capital, the emergence of new centres of capital (e.g. Japan) in a global economy, new class formations breaking with the traditional labour v. capital division, and a consumer capitalism which markets style, images and tastes as much as actual products. The commoditization of culture has resulted in a new populism of the mass media, a culture centred around the marketing and consumption of surfaces and appearances, epitomised by the ubiquity of commercial television.Despite its obvious plausibility as a general explanation of developments in popular culture, postmodernism su ffers from a number of difficulties. To heavily generalise, these are: its frequent lack of specificity; its overpreoccupation with texts and audiences at the expense of locating these within the economic and productive context within which cultural products reside; its reduction of history and politics and its ignoral of ‘traditional' sociological notions of production, class and ideology.The postmodernist view of rock music regards it as exemplifying the collapse of traditional distinctions between art and the commercial, the aesthetic and the unaesthetic, and the authentic and unauthentic. This view is most prominent in discussions of music video, with its affinities to advertising (Kaplan 1987). Popular cultural texts of the Beatles are regarded as dynamic not static, mediated both by patterns of economic and social organisation and the relationship of individuals and social groups to these patterns. This puts politics in a position of central importance, as culture is vie wed as a site of conflict and struggle, of negotiations which constantly confirm and redefine the existing conditions of domination and subordination in society.Against the backdrop of these cultural studies signposts, the construction of meaning in rock can be seen as embracing a number of factors: the music industry and its associated technologies, those who create the music, the nature of rock texts, the constitution of rock audiences and their modes of consumption, and attempts to influence and regulate all of these. The role of the music industry, in its drive to commodify rock and maximise profits, is the starting point for understanding rock.In film or in rock a certain historical logic can be reintroduced by the hypothesis that such newer media recapitulate the evolutionary stages or breaks between realism, modernism and postmodernism, in a compressed time span, such that the Beatles and the Stones occupy the high modernist moment embodied by the ‘auteurs' of 1950s and 1960s art films.Although animation was used in the early days of filmmaking and became just another form of studio production, it underwent big changes in the late twentieth century. A major break in such style occurred with the Beatles' animated film, Yellow Submarine (1968). Not only was the colour startling – a psychedelic experience of sorts, as some commented – but the animation also used a mixture of media that inspired what was later called the â€Å"blendo†style in which cels, cut-outs, clay figures – and more recently – computer graphics are blended (Cohen 1998).The application of postmodernism to popular music is primarily based on two perceived trends: firstly, the increasing evidence of pastiche, intertextuality, and eclecticism; and, secondly, increased cultural fusion and the collapsing of high-low culture type distinctions in rock. However, rock history demontrates that the first trend frequently actually reaffirms the distinctions supposedly being broken down in the second trend. Post-modern music clearly contributed to the increasingly global nature of cultural and economic linkages, mapping out new networks of commodity flow and entrepreneurial activity.At least at a surface level, all countries’ popular musics were shaped by international influences and institutions, by multinational capital and technology, by global pop norms and values. Even the most nationalist soundsâ€â€carefully cultivated ‘folk’ song, angry local dialect punk, preserved (for the tourist) traditional danceâ€â€were determined by a critique of international entertainment. The rise of rock ‘n’ roll, the success of the Beatles, alongside transitions in other cultural forms, ensured some measure of ubiquity.ReferencesCentore, F. F. (1991). Being and Becoming: A Critique of Post-Modernism, Greenwood Press: New York.Goodwin, Andrew. (1991). â€Å"Popular Music and Postmodern Theory†, Cultural Studies, 5.Jameson, Fredric (1991). Postmodernism, or, The Cultural Logic of Late Capitalism, Durham, NC: Duke University Press.Kaplan, E.A. (1987). Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture, New York: Methuen.Mitchell, T. (1996). Popular Music and Local Identity, Leicester University Press, London and New York.
Tuesday, October 22, 2019
mecbeth essays
mecbeth essays Lord of the Flies give us a clear difference between savagery and the civilized society. Goldings theme of civilization and savagery mostly revolves around Jacks character and focuses on his responsibility for the fall of rational society into barbarianism and Ralphs battle for order. Golding establishes a deserted island with a conflict between two different thoughts of pre civilized humanity and with no society, no rules, and no concerns except for personal survival, every man for them selves. Golding starts of the novel by straight away showing clear difference between savage and civilized. Ralph is playing on the beach naked and does not panic over the children's abandonment on the island. Nakedness is practised in uncivilized cultures. On the other hand, according to Claire Rosenfield it can also be a clear view of Eden which is understood as paradise. The temptation is to regard the island on which the children are marooned as a kind of Eden (2). But how does this Edenic paradise collapse? The first sign of trouble is when we see Jack and his marching choir. Jack and his choir seem strong and powerfull, with Jacks style and his choir marching in synch with one another. The group is also the first civilization on they island even though being a downbeat one. With his dark cloak and red hair, Jack seems to have a bad and evil sided impression. Jack is like a leader, he orders his choir as if they were troops. He does not allow room for neither discussion or ideas. The first role he chooses for his choir is to be hunters, which is violent, and shows savagery. However, Jack is not yet used to violence, because he had troubles in killing a pig. They knew very well why he hadnt: because of the enormity of the knife descending and cutting into living flesh; because of the unbearable blood (29). Jack is not used to violence. Golding shows that Jack must get himself to do...
Monday, October 21, 2019
antilegalization of Marijuana essays
antilegalization of Marijuana essays Dear Congressman, I am honored to be writing to you on such a significant topic of national concern. Average citizens are annoyed and just plain fatigued with the drugs and crime problems in America. These upright citizens, that contribute to the growth of American society, are being told that legalization is a reasonable alternative to dealing with these problems in their communities. Legalization of any drug is not a positive way to fight crime. In fact, there is no legitimate reason to legalize drugs. The Legalization of marijuana is the starting point of the pro-legalization of drugs movement. The issue of legalizing marijuana is truly a controversial one, and certainly one that requires a plethora of considerations at the top levels of the legislative branch. When considering the possibility of legalizing marijuana as a recreational drug, there are a number of concerns that come to mind. Is marijuana physically harmful to the user? Is marijuana an addictive drug? Does the use of marijuana lead to dependency situations? Does it act as "gateway" to more hazardous drugs? Does the notion of legalizing marijuana send an immoral, wrong message to the youth of America? Mr. Congressman, the answer to all these questions is YES. According to the DEA (1998), the supreme ruler of drug knowledge in America, there are over 10,0...
Subscribe to:
Posts (Atom)